Love & The Outcome – Everything Changes

Love & The Outcome’s organic, figure-things-out-as-we-go approach applies to much more than their current schedule. It’s been their calling card since they first decided to bring their musical talents together. Before they made the move to Nashville, Rademaker had his own rock band, The Attics, back in Canada while King had a solo career on the rise. When the band called it quits, the pair decided to fuse their common talents and interests in a new direction.

“I think a lot of people don’t know that we were two separate bands before we became Love & The Outcome,” says King. “This band is really only two years old, so the first album was new for us in a lot of ways. My husband is a rocker, and I’m more of a pop girl. There’s a combining of musical flavors that we’ve had to learn how to bring together over time.”

The duo’s instinct has proven successful so far. Early on, they earned a label deal with Word Records and toured all over North America after releasing their debut, sharing the stage with luminaries like Switchfoot and Newsboys. To continue their momentum, the band brought together the same co-producers from their debut to work on These Are The Days.

“Seth Mosley is the producer that we made most of the first record with,” explains King. “He became a really good buddy of ours. He’s a genius in helping us serve this space well. I can’t say enough good things about him.

“Colin Munroe did my solo projects. He’s a solo Canadian who lives in Los Angeles and he works within that mainstream pop space. The sounds he creates from scratch are just so special. He really gets me, because we’ve done this together for a while. So we took two people from completely different spaces who are incredibly talented with different strengths, and the four of us made this whole album.”

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